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  • Writingby David Eagleman
    • LivewiredThe Inside Story of the Ever-Changing Brain
    • The Runaway SpeciesHow Human Creativity Remakes the World
    • Brain and BehaviorA Cognitive Neuroscience Perspective
    • The BrainThe Story of You
    • IncognitoThe Secret Lives of the Brain
    • SUMForty Tales from the Afterlives
    • Wednesday is Indigo BlueDiscovering the Brain of Synesthesia
    • The Safety NetSurviving Pandemics and Other Disasters
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    • Time perception
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    • Deep brain recording
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    • Antiphospholipid Syndrome
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Literary Agency - Wylie Agency

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Literary Agency (New York & London)

New York and London

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212-246-0069

http://www.wylieagency.com

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From the Blog

  • Powers of the Subconscious
    Powers of the Subconscious

    How significant is the subconscious?

  • Will Self
    Will Self

    The author Will Self and I appeared on stage together to discuss life, death, and what makes good writing.

  • Had a great time at the NYT summit with friend and fellow author Charles Duhigg.
    Had a great time at the NYT summit with friend and fellow author Charles Duhigg.

    Really good companies are the ones that are constantly reinventing themselves. I spoke with Charles Duhigg about habit, unconscious processing and the workspace at the 2016 New Work Summit. Watch the full interview: http://trib.al/1nwghb1

  • The science of de- and re-humanization
    The science of de- and re-humanization

    Why do groups of people inflict violence on unarmed neighbors? (Germany, Rwanda, Darfur, Nanking....). Here's the neuroscience point of view.

In other news...

Possibilianism at PopTech

Click here to watch David's talk on possibilianism at PopTech. Executive director Andrew Zolli wrote: "This is one of the best talks ever at PopTech. Everyone should watch this."

New Scientist interview on the V.E.S.T.

Your reality need not be constrained by your biology.  Read the interview here.

SUM at the Royal Opera House

ROHSUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.

 

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